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WINNER
BEST
MUSICAL |
WELCOME to the show that won Broadway’s highest honors by first winning its heart. WELCOME to the next chapter in the classic American story on stage. WELCOME to the kind of musical that comes around once in a generation. A musical that builds on the best traditions of theater while forging into fresh new territory. A musical about the importance of home, family and finding where you belong. In the Heights tells the universal story of a vibrant community in Manhattan's Washington Heights – a place where the coffee from the corner bodega is light and sweet, the windows are always open, and the breeze carries the rhythm of three generations of music. It's a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind. In the Heights began as an original musical conceived by Lin-Manuel Miranda during his sophomore year at Wesleyan University. Upon graduating and returning home to New York, Miranda collaborated with director Thomas Kail to rework and restage the campus hit for a larger audience. That's how they captured the interest of producers Jill Furman, Kevin McCollum and Jeffrey Seller, whose previous work on Broadway included Rent, Avenue Q and The Drowsy Chaperone. After more workshops, more collaborators, and a stint at the Eugene O'Neill Theatre in Connecticut, the musical found a home at Off-Broadway's 37 Arts Theatre. Seven years after the idea was first born, In the Heights was ready for its New York theatrical debut. During its Off-Broadway run at 37 Arts, In the Heights quickly became an audience phenomenon and a critical success. The response was unprecedented: the musical was luring both traditional and non-traditional theatergoers and garnering a huge cache of accolades, including the Outer Critics' Circle Award and Lucille Lortel Award for Best Musical. After over 200 performances, In the Heights played its final Off-Broadway show on July 15th, 2007, and began preparations for a move to Broadway, which included enhancements to the script and score, as well as new additions to the cast and crew.
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